The cultural dance was
a story about a young man who loved and married a young beautiful lady.
Unfortunately after producing two children the lady became lazy and the sole
efforts of the man were insufficient to sustain the family materially. Laziness
is unwelcomed in Tooro culture. The man sought work abroad and left the family
in abject poverty. This called for attention of elders in the clan who traced
him and by counseling and encouragement won the man back to his home. It is on
that day that he came with food and clothes for his wife and children who
became overjoyed at catching sight of him.
The act of the mother
presenting her daughter for marriage,
was symbolizing the vivid truth that in Tooro culture parents are directly
involved in the marriage of their daughter. Presently this value is being
overlooked especially by the so called educated boys and girls, but church
weddings trace again for the consent of the parents of the girl.
In their dance, they
use Engarabi (Long drum), embutu, Orunyege(rattles), and raffia skirts
(ebikwizi). The engarabi and orunyenge are normally played by men and ebikwizi
are strictly for girls. Well harmonized, a foreigner would pay a million
shiilings to be allowed to watch this beautiful dance.
Thank
you for being a persistent leader. Come to Tooro you will see the remaining.
Maliyamungu
Holy Cross
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